Workshop Highlight: Encaustic Collagraph & Line

This is an experimental, fun, why-not-try-it workshop exploring printmaking, line and encaustic.

When

August 1-3, 2019, 10am-4pm each day

Where

Elise Wagner’s Studio in Portland, OR

WHERE CAN I SIGN UP!

Please visit this link to sign up for the workshop. I look forward to working with you!

Basic Description

This is an experimental, fun, why-not-try-it workshop exploring printmaking, line and encaustic. Utilizing the natural luminosity, textural and layering possibilities of encaustic in combination with creating collagraphs utilizing found linear materials on fabric, Encaustiflex and paper, participants will experiment with a wide variety of innovative materials and exercises to inspire expressive marks while also developing a personal artistic voice. The application of thin layers of encaustic for collage, covering a board with fabric, drawing with horse hair, branding (creating marks with heated metal and wood burning tools), the use of stitch as a mark as well as the conceptual use of transparency and layers is also discussed. A bonus in this workshop is the opportunity to create your own grids, laces and lace like forms using free motion sewing machine embroidery on water soluble stabilizer-these sewn grids may also be basis for creating a collagraph. Optional individual critiques with Lorraine will be offered to all participants.

Who should take this workshop?

  • You are a semi-beginner to advanced painter (encaustic or other) who loves experimenting with materials, mixed media, alternative processes and line.
  • You are interested in what the grid can do for your work, but don’t want to make gridded paintings. NOTE: You won’t make a gridded painting in this workshop unless you want to do so, but understanding the concept of the grid as a foundational structure will make your paintings stronger. Guaranteed.
  • You want to express yourself in a more meaningful way with your work.
  • You want to create consistency, a personal voice, your own mark, in your paintings and body of work as a whole.
  • Your creative process is stagnating and you need to learn a new process, idea or technique.
  • You love materials and innovative ways to use them.
  • You dislike drawing and/or you’re afraid of it.

What happens in this workshop? What will I learn?

  • Marking, drawing, making marks with fun exercises involving music, text, folding/cutting paper, collage, fire, found materials are sure to relax you so that you don’t even know you’re drawing and are designed for you to generate ideas, content and a personal mark.
  • Experimenting with the new, fun material, Encaustiflex.
  • Utilizing a printing press to experiment with the magic of the collagraph utilizing found and alternative materials, etc.
  • Experiment with line ideas using innovative techniques and materials such as horsehair, pyrography (making marks with heated metal and tools), stitching by hand or machine, Solvy (water soluble embroidery stabilizer) in combination with encaustic.
  • In depth discussion, brainstorming and slide talk about line and the grid-what it means in art, what it does, how to generate it, how to use it.
  • What the concepts of good design are and how to apply these ideas to fine art.
  • Effective and productive doodling.
  • Experiment with encaustic tools such as a tjanting, incising into the wax, creating grids and lines using masks, paintsticks and encaustic friendly drawing media.
  • How you can create your own process to make a cohesive body of work and how that process can relate to and enhance content in that work.
  • Learn what found drawings are and how you can use them as a tool for inspiration and content generation.

What kind of work will I make?

Please enjoy the work example pics below from participants who have previously taken this workshop as well as images from Elise’s fabulous studio. Please visit additional blog posts here and here and here and here for more information related to this workshop.

WHERE CAN I SIGN UP!

Please visit this link to sign up for the workshop. I look forward to working with you!

WORKSHOP HIGHLIGHT: URBAN TRANSFORMATIONS: AN EXPLORATION OF MATERIALS & PLACE

ONLY A SHORT TIME AND A FEW SPOTS LEFT TO SIGN UP!!

September 29-October 2
@ Jeff Hirst’s Studio in the Bridgeport neighborhood of Chicago
$600 + $65 materials fee
WORKSHOP WEB SITE

Contact: Jeff Hirst, jeff@jeffreyhirst.com

Student work from Tyler School of Art and various encaustic workshops similar in content to this one.

Rebecca Solnit writes, ‘Cities have always offered anonymity, variety and conjunction, qualities best basked in by walking… A city always contains more than inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.’ This workshop begins with a walking tour of Chicago’s Bridgeport section and the area around the Bridgeport Art Center, in which participants will mine the streets through listening, mapping, touching and collecting raw and image based materials from which to work. Working with fabric, wood and paper, participants will experiment with innovative materials, drawing and marks to depict the spirit and essence of the urban environment while also developing a personal artistic voice. Layers of screen printing under and on top of encaustic, rust/copper printing, branding and considerations of the use of the grid as a conceptual as well as compositional tool will also be discussed. Optional individual critiques with both instructors will be offered to all participants.

beauty and the book

lorraineglessner.wordpress.com

I’m in love with books-as objects, as art…as friends. i love looking at them, paging through them, admiring the art of them, the craft on the outside as well as the inside and how the two come together to create a complete story.
i started reading at the age of 3, my sister at age 2 (she always wanted to do what i did ; ) i was an extremely shy and quiet child through my childhood and teenage years and i much preferred curling up in a quiet spot to read to doing anything else and in some ways, i’m still the same. i tried doing the kindle thing on my ipad, but i can’t get into it. holding a book’s weight in my hands, smelling the mixture of ink and paper, appreciating it’s structure, feeling the pages ruffle as i determine how far i am from the next chapter and totally escaping to immerse myself in another time and place within the narrative are just a few reasons why i’ll always have stacks of books lining my walls and why i’ll aways celebrate their physical presence as the well as the presence of their stories in my imagination.

an excerpt from the film, liberal arts

A: I love books. I do in, like, the dorkiest way possible.

J: Oh, me too. It’s a problem.

A: Like, I love trees cause they give us books.

J: super cool of the trees to do that, Right?

1. This ancient collection of 70 tiny books, their lead pages bound with wire, could unlock some of the secrets of the earliest days of Christianity. Academics are divided as to their authenticity but say that if verified, they could prove as pivotal as the discovery of the Dead Sea Scrolls in 1947. The books were discovered five years ago in a cave in a remote part of Jordan to which Christian refugees are known to have fled after the fall of Jerusalem in 70AD. Important documents from the same period have previously been found there…here.

2. Rosamond Purcell, photographer, from Bookworm, published by Quantuck Lane Press. More about her and her work here.

3. random image from here.

4. Quran folio, surah al-Fatihah, 13th century AH/AD 19th century (Qajar), Iran from here.

5. sara mitchell handmade book experiments, here.

6. Rare books were once kept chained to bookshelves to prevent theft from here.

7. Jacqueline Rush Lee, artist, here.

8. Spaniel Binder The Book of Common Prayer Oxford 1700, here.

9. an abandoned library in russia, here.

10. matej kren, huge structure made of thousands of books, more here.