As I was writing my last post 5 Reasons Why the World Needs Art & Artists, I had wanted to include images of art works that have resonated with me, that I can’t imagine the world without. But instead of including them in the last post, I needed to honor them with their own post. To have examples of actual works drives home the point that art is needed in the world and you, as an artist, are needed in the world as well. I have to say that there are thousands of paintings, sculptures, installations, etc. that have made their mark in my world but to include all, of course, would need a whole blog devoted to the subject. (Actually, there such a blog called Oh What a World, What a World. It’s my first blog that unfortunately got hacked so I no longer can add to it, but you can still view the amazing artists on it.)
In order to pare down my list I came up with the following criteria…I had to have seen the work in person, I had to remember the work without too much thought or googling, the work had to mark a turning point in my thinking or life, I would have it my personal collection if I could and the number of works had to be less than ten. Now, you may have seen most of them before, they are not obscure, but that’s not what this list is about. This was an interesting exercise for me and although I write about each work, I can say that whenever I viewed these pieces, overall, I was immediately at peace and invited to escape into a dream for a moment.
Are there artworks that pop into your head that are of a profound significance to you? That for you, absolutely must live in the world? I’m curious what they are and what it is they did/do for you. Please add them in the comments section located on the left at the top of this post near the title.
- Agnes Martin, The Rose, 1965, acrylic and graphite on canvas, 72×72 When I first saw this at the Philadelphia Museum of Art, I was still in my teens and I thought this plain old grid was so boring…then I looked closely and SAW it. It is a light pencil grid on an almost indiscernible pale pink ground. That an artist could capture the essence, delicacy and beauty of a rose within a simple grid pattern while using almost no color left me speechless and forever in love with exploring the possibilities of the grid.
- Cy Twombly, Shades of Night, 1978, oil paint, oil stick, graphite on paper, 41×27 The PMA has a special room for the suite of 10 paintings, 50 Days at Iliam. When I first saw it, I was in my late teens and the work angered me. I loathed these paintings. Despite my strong feelings of hatred, they intrigued me and I always made it a point to visit these works every time I was at the museum. I would stand and stare at them, the marks, the movement, the paint application, the paintings were so large and aggressive! Each time, I had a strong reaction and my hatred eventually turned to love as I learned about Twombly’s work and myself as an artist. I must say that every time I visit this room or any of Twombly’s works, I learn something more about painting.
- Klee, Fish Magic, 1925, oil, watercolor, on canvas, 38×46 Who doesn’t love this painting? It’s a relatively small work tucked into a dark corner of the museum. Reminiscent of a child’s scratchboard drawing, it was one of the first paintings that communicated to me the message that art can be fun!
- Picasso, Young Girl With A Goat, 1906, oil on canvas, 54×40 This lovely painting hangs high on a wall, close to the ceiling at the Barnes Museum. Despite my many visits to the Barnes, it was only on a recent visit that I noticed it. I can’t really put into words what attracts me to this painting except that its pink and gold and just makes me happy. I was in a happy place when I first noticed it and when I see it now, it takes me back to that moment. If I suddenly come into a large amount of money, it’ll be the first painting I purchase.
- Henri Rousseau, Carnival Evening, 1886, oil on canvas, 46×35 I was very young (maybe junior high?) when I first saw this painting at the PMA. I loved Rousseau’s dreamy, clean, graphic painting style. I could understand his work, unlike the abstract expressionist works my young mind wasn’t quite ready to absorb. This painting was a dream and for many years, the postcard I purchased in the museum bookstore allowed me to dive into that dream whenever I wanted.
- Georgia O’Keeffe, Music, Pink and Blue 2, 1918, oil on canvas, 35×29 If you’re a fan of this blog, then you know of the profound effect Georgia O’Keeffe had on my growth as an artist. This particular work was the first art poster I had in my room as a young teen, (it even took the place of Sean Cassidy, but I digress). I had it right in front of my bed, so it was the first thing I saw in the morning. I got lost in the sensual forms, tracing them with my eyes as I got used to the morning light. This certainly had some effect on my visual memory and likely carries into my paintings to his day.
- Sandy Skoglund, Revenge of the Goldfish, 1981, Cibachrome color photograph, 27×35 It was at the PMA that I first saw Skoglund’s work in my mid-20’s. I was always intrigued with photographs and loved how Skoglund could realize fantastical worlds in her work. Within a few years, I learned Photoshop and was on my way to realizing my own fantastical worlds.
- Picasso, Glass of Absinthe, 1914, painted bronze with absinthe spoon, 8x4x3 I’m not a big Picasso fan, so I’m totally laughing right now that two of his works made it to this short list. Although I’m not a huge fan, I learned to appreciate his work when I took a summer art history class in grad school. I had to choose one work of Picasso’s in the PMA’s collection for my paper and this one was it. Before that time, I didn’t know Picasso had done any sculpture and I loved the intimate scale and general fun-ness of this one. I researched the piece extensively and fell in love with the whole series. Once again, I was pleased to learn that an artist could wear many hats, make work in many disciplines and just have fun, Picasso or not.
- Leon Frederic, Four Seasons, 1894, oil on canvas, 49×32 I was very young when I saw these pieces at the PMA and to this day, still visit them whenever I’m at the museum. What I love about them is the joyful exuberance and pure love that the artist had for these works…love, that you as the viewer can actually feel standing in front of them. This was another postcard purchase that I carried with me and hung in my room for at least a decade, it always brought me joy whenever I looked at it.