Exploring Landscape Through Encaustic & The Mark: A Vermont Artist Retreat

Utilizing the natural luminosity and layering possibilities of encaustic, participants will experiment with materials, drawing and marks to depict the spirit and essence of gorgeous rural Vermont.

Between every two pines there is a doorway to a new world. – John Muir

So thankful to RF Paints for partially sponsoring this Retreat by donating their exceptional products.

Read a lovely post about this Retreat on Dietlind’s Blog .

THIS RETREAT IS FULL! PLEASE EMAIL LORRAINE TO BE ADDED TO THE WAITLIST!

What
Exploring Landscape in Encaustic & The Mark: A Vermont Artist Retreat

When
June 20-24, 2022
(Scroll down for detailed daily itinerary)
Monday 7-9pm Orientation
Tuesday-Friday, 7-8am Yoga, 9am-4:00pm Workshop Hours
Tuesday-Thursday, 6:00-9pm optional night studio hours

Limited to 12 participants!
Level: Intermediate to Advanced
$1800 includes accommodations**(10 rooms available), breakfast and lunch and most workshop materials (see supply list below)

Not Interested in Lareau Inn Accommodations, breakfast or lunch?
$1000 includes workshop fee and most materials (see supply list below)

Registration Instructions if staying at Lareau Inn:
1. Visit the Lareau Inn web site and choose your room. See the list below of available rooms. DO NOT book the room from the Lareau Inn web site!!!
2. Contact Lorraine via email lorraineglessnerstudio@gmail.com with the name of the room you’d like to book and for payment details.

Available Rooms at the Inn as of December 2, 2021
THIS RETREAT IS FULL! PLEASE EMAIL LORRAINE TO BE ADDED TO THE WAITLIST!

Additional accommodations are available at Waitsfield Inn and Featherbed Inn which are within one mile of Lareau Inn.

For Registration, Please Contact: Lorraine Glessner, lorraineglessnerstudio@gmail.com

Payment Payment of 50% of the workshop fee + materials + accommodations ($900 if paying via check or Venmo, $932 if paying via Paypal) is due at the time of registration with the remaining 50% ($900) due approximately 6 weeks before the workshop date. Please contact Lorraine for payment details.

**Additional Accommodations Although the workshop continues through Friday, you must check out of Lareau Inn on Friday morning. If you would like to stay in the area Friday evening or beyond, there are many places in the town of Waitsfield and in nearby Stowe.

Who A collaborative teaching venture with Dietlind Vander Schaaf & Lorraine Glessner (Scroll down for detailed bios)

Workshop Description
The mark of nature combined with encaustic painting creates works that reference memory, change, and time. Utilizing the natural luminosity, textural and layering possibilities of encaustic, participants will experiment with innovative materials, drawing and marks to depict the spirit and essence of the land. Easy to moderate hikes exploring the rugged natural beauty of The Mad River Valley are led by Dietlind and Lorraine. Along with daily journaling, meditation, yoga, readings and expressive mark-making exercises, these immersive hikes will provide the inspiration for which to develop ideas and provide areas of focus for series-based work while also developing your personal artistic voice. Considerations of our body’s connection and its direct relationship to landscape will also be discussed. Optional individual critiques with both instructors will be offered to all participants.

SCROLL DOWN TO SEE images of student work and fun scenes from this encaustic retreat in 2021. Additional blog posts related to artist retreats co-taught by Lorraine are here, here and here..

Workshop Itinerary
Monday 7-9 pm Orientation
Meet & Greet Wine and Smores by the Lareau Farm Fire Pit

Tuesday-Friday 7-8am
Optional Morning Yoga taught by Dietlind
Dietlind will lead gentle to moderate yoga each morning designed to leave you feeling strong and grounded. Bring your yoga mat. Straps and blocks provided.

Tuesday 9-4:00 Workshop, 6:00-9pm Optional Night Studio
We will begin with brief discussion and meditation, settling and experiencing the moment. We will take an easy hike to begin our first day of experiencing the land, discussion of breath/breathing, listening, drawing, journaling collecting inspiration and materials suitable for brush making. Brief brush making demo.
After lunch, Lorraine will introduce a mixed media exercise inspired by our morning hike. We will use collected materials from the hike to make marks and generate ideas. Dietlind and Lorraine will also discuss creating optical depth using encaustic layers and the differences between transparent and opaque paint. The rest of the afternoon is devoted to refining this drawing and the sketches from our hike, free painting time and/or more inspiration gathering.

Wednesday 9-4:00 Workshop, 6:00-9pm Optional Night Studio
After another easy morning hike, discussion of drawings and findings from the day before and possibilities for further study. Meditation, journaling, discussion of distancing, isolation, effects of pandemic, separation, silence in relationship to the outdoors and how to express these thoughts in marks and paint. Inspiration slide talk of contemporary artists who effectively use line, mark-making and landscape in their work. Optional individual meetings with Lorraine & Dietlind.
After lunch, Lorraine and Dietlind will demonstrate encaustic mark making using horsehair as well as introduce other interesting mark making products suitable for encaustic including India ink, colored pencils, pan pastel, oil pastel and graphite. Encaustic monoprint, work on paper demo. We will continue with uninterrupted work time for refining drawings, painting, working toward a series and individual discussions with Lorraine & Dietlind

Thursday 9-4:00 Workshop, 6:00-9pm Optional Night Studio
After a brief group meditation (optional), we will continue with inspiration discussion, discussion of the work already produced and the direction each person would like to take toward a paintings series or works on paper series. Encaustic collage demo. Dietlind will also guide participants through a series of written exercises designed to develop each individual’s artistic voice. Continued individual discussions with Lorraine & Dietlind. After a brief afternoon meeting and discussion, we will continue with uninterrupted work time for refining drawings, painting, working toward a series and individual discussions with Lorraine & Dietlind.

Friday 9:00am-1:00pm Workshop
After morning meditation (optional) and discussion, we will continue with uninterrupted work time using mark making and encaustic to build a series, experiment with marks, make color studies, ask questions, request informal demos, and continue with individual discussions with Lorraine.
For part of the afternoon, we will continue with uninterrupted work time using mark making and encaustic to build a series. Continue working through part of the afternoon, address your concerns one on one with Lorraine & Dietlind, take some time to journal your thoughts and informally discuss your progress.

What Else?

  • Color relationships, composition, application, content, proportion, scale as an effective foundation for other painterly information.
  • Learn how to use encaustic’s strengths (layering, transparency, luminosity) to tell your story.
  • Mark-making exercises geared toward making simple or complex marks to generate a personal language.
  • The option of an Individual Consultation/Critique discussion with each instructor. Bring a piece of work, a question, a concern, a problem and discuss it with Dietlind and Lorraine.
  • What’s your work about? Deepening the conversation. Guided writing exercises to help you focus on the meaning of your work and generate content for your artist statement.
  • Some guided meditation time and planned hikes will relax and open your mind and spirit to the land, helping to support and nurture your unique creative voice.
  • A slide talk with examples of contemporary artists whose work applies the ideas and concepts discussed in the workshop is offered for inspiration.
  • Lots of open studio time to explore and interpret the inspiration gained from the meditations and hikes.

For Registration, Please Contact: Lorraine Glessner, lorraineglessnerstudio@gmail.com

About Lareau Farm Inn & Barn
Nestled on 25 acres of natural beauty, with the Mad River just steps away as well as trails for walking, hiking, mountain biking, Lareau Farm Inn is the perfect place to spark and inspire your artist vision. Our workshop studio in in the Historic Dairy Barn on the Lareau property, featuring rough-hewn beams, centuries-old hardwood floors and tons of space in which to create. The rooms at Lareau Inn feature antique furnishings, comfortable beds and charming baths in a Vermont farmhouse setting with delicious farm to table dining. There is plenty of room to relax and enjoy the view in the common areas including a charming dining room, back porch and backyard fire pit. See the gallery belwo of Lareau Farm Inn, Barn and surrounding property. Visit Lareau Farm Inn Web Site for more images and information.

About Lorraine & Dietlind

Dietlind Vander Schaaf
Dietlind Vander Schaaf’s paintings convey an emotional tone through texture and pattern and use mark making as a way to communicate what she finds most lovely, haunting, and curious about the human condition. Her work references teachings from Zen Buddhism, Christian mysticism, the poetic traditions, and contemplative practices including yoga and meditation. Dietlind holds an MFA from the University of San Francisco and an MA from the University of Southern Maine. Her work has been described as “the transformation of disparate objects into elegantly simple compositions of pattern and grace” (Artscope). She has exhibited at the Cape Cod Museum of Art, Conrad Wilde Gallery, The Fuller Craft Museum, and On Center Gallery, among others, and been featured in Maine Home + Design, Decor Maine, and Downeast magazines. Dietlind is a Core Instructor for R&F Handmade Paints, an Ampersand Ambassador, and the former president of New England Wax. An annual presenter at the International Encaustic Conference, Dietlind has taught workshops throughout the country, including Haystack, Castle Hill, Snow Farm, Penland, Arrowmont, Maine College of Art, R&F, and internationally at Zijdelings in The Netherlands. She is the recipient of grants from the Maine Arts Commission and International Encaustic Artists, as well as a Tending Space Artist Fellowship from the Hemera Foundation.

lorraineglessner.net
Lorraine Glessner’s love of surface, pattern, markmaking, image and landscape has led her to combine disparate materials and processes such as silk, wood, wax, pyrography, rust, paper and more in her work. Lorraine is a former Assistant Professor at Tyler School of Art, Temple University, artist mentor, workshop instructor and an award-winning artist. She holds an MFA from Tyler School of Art, Temple University, a BS from Philadelphia University, and an AAS in Computer Graphics from Moore College of Art & Design. She has a diverse art background with skills that include painting, sculpture, graphic design, interior design, textile design, photography, digital imaging and much more. Recent professional achievements include a Grand Prize Award from the show (re)Building, Atlantic Gallery, New York, NY and a recently appointed position as a Tier Artist at R&F Paints. Lorraine’s work is included in many mixed media and encaustic books including, Encaustic Art in the 21st Century by Ashley Rooney and Nuance, a curated book by artist, Michelle Stuart. Lorraine frequently lectures and participates on academic panels at various Conferences including The International Encaustic Conference, SECAC and The College Art Association Annual Conference. Her work is exhibited locally and nationally in galleries, museums, craft centers, schools, libraries, universities, and more. Like her work, Lorraine brings to her teaching a strong interdisciplinary approach, mixed with a balance of concept, process, history, experimentation, problem solving and discovery.

Materials Included: the following list of materials is provided for the student

  • All encaustic paints, encaustic medium, encaustic gesso, soy wax, tools and equipment
  • a variety of pigment sticks and blending medium
  • Sumi ink & other misc. drawing media
  • Misc. drawing papers
  • Paper towels/rags
  • Extra encaustic brushes

What to bring: The following is a list of materials for the student to bring to the workshop

  • Sketchbook/notebook, pencil or pen for note taking
  • 1-2 drawing media of your choice (pencil, pastel, conte charcoal, oil pastel, Crayon, graphite, felt pen, etc.)
  • Closed toe shoes for safety in the studio
  • Lunch and beverage each day (if not purchasing the accommodation plan with Lareau)
  • 6-10 wooden painting panels (your preference of 8×8 or 10×10, but no larger or smaller, please) Other suggested substrates are: masonite (coated with encaustic gesso), Ampersand Encausticbord, matt board, etc. (nothing coated in acrylic or acrylic gesso!!)
  • 2-4 actual OR images of your work, digital prints or phone/iPad sharing is fine
  • 5-10 hake or hog’s bristle natural hair brushes in 1-2 inch sizes for encaustic painting (1 brush will be designated your medium brush, so it must be free of color if you are bringing used brushes)
  • Absorbent Papers for encaustic mono-printing (rice, Masa, printing papers)
  • Optional Materials Smock, any encaustic paint color or pigment stick color you favor, iwatani torch with extra butane, any tool or material for any technique that you normally employ while working with encaustic, textured objects and/or sharp ended tool for pressing into/incising/writing/drawing into wax.

Hiking + Yoga Equipment Recommendations

  • Sturdy hiking shoes/boots
  • Comfortable clothing
  • Butt pack or small backpack
  • Light rainwear
  • Hat
  • Water bottle
  • Digital Camera or smart phone or point and shoot camera or DSLR
  • Bag for collecting found materials
  • A yoga mat, eye pillow, and comfortable layered clothing for yoga practice

Cancellation
Please note a $100 cancelation processing fee will be deducted from any refund.
In the event that you need to cancel your workshop, please notify Lorraine via email.
Cancelations made 30 days or more from the workshop start date will be refunded their deposit (minus $100 processing fee).
Cancelations made 30 days or less from the workshop start date will be refunded their deposit (minus $100 processing fee) only if the space can be filled. If the space cannot be filled, no refund will be issued.

For Registration, Please Contact: Lorraine Glessner, lorraineglessnerstudio@gmail.com

New Virtual Workshop: Fast & Loose Encaustic Painting

You love the fast moving, layering and quick drying abilities of acrylic painting, but you want more depth, more scraping abilities, more texture and more dimension that can only be achieved by painting in encaustic…well, you’ve come to the right place!

If you could say it with words, there would be no reason to paint. –Edward Hopper

Fast & Loose Encaustic Painting
A Live Virtual Zoom Workshop
Registrants will receive a Zoom link to join the workshop & will have access to the recorded sessions for a limited time following the workshop.

Limited to 10 participants!
Level: Beginner to Advanced

When
2 Days-April  29-30, 2021
12pm-2:30pm EST each day
*We will take at least 2 5-minute breaks each day

Price
$350

2 Ways to Register
1. *PREFERRED* Venmo: Send to @Lorraine-Glessner
2. Paypal: Send to lorraineglessnerstudio@gmail.com

Who
For Lorraine’s bio, portfolio, exhibitions, teaching and anything else you might want to know, please visit her web site.

Basic Description

You love the fast moving, layering and quick drying abilities of acrylic painting, but you want more depth, more scraping abilities, more texture and more dimension that can only be achieved by painting in encaustic…well, you’ve come to the right place! I developed this workshop at the request and with the collaboration from several artists. In this workshop, I offer alternative tools, color mixing, application methods and techniques for faster, more process oriented encaustic painting. Also discussed are tips for getting out of your head, letting go and letting it flow. It is helpful, but not necessary to have had any previous experience with the encaustic medium to take this workshop.

SCROLL DOWN TO SEE images of student work from encaustic workshops similar in content to this one.
Read Part 1 of Fast & Loose Encaustic Painting: Tools
Read Part 2 of Fast & Loose Encaustic Painting: Painting Methods

Who should take this workshop?

  • You’re a painter and have always wanted to work in encaustic but have been deterred by what seems like a slow moving, laborious process compared to other painting mediums like acrylics and oils.
  • You fill sketchbooks with mixed media acrylic sketches that you love, but you want more depth, more scraping abilities, more texture and more dimension that can only be achieved by painting in encaustic
  • You tend to think too hard about the next step and end up stifling the process.
  • You’ve worked in encaustic for a while and have never scraped your layers(!) to reveal the awesomeness underneath.
  • You want to know what the heck Encaustic PaintSmash is and how it will benefit your work.
  • You spend too much time on one painting and tend to overwork the painting.
  • You love encaustic painting and are looking for some alternatives to the usual encaustic painting methods.
  • You are frustrated with your current body of work, your process(es) and want to create consistency, and a cohesive portfolio.
  • You want to express yourself in a more meaningful way with your work.
  • Your creative process is stagnating and you want to learn a new process, idea or technique.
  • You have always wanted to create ‘visual poetry’ in your paintings.


What happens in this workshop? What will I learn?

  • Marking, drawing, making marks with fun exercises are sure to relax you so that you don’t even know you’re drawing and are designed for you to generate ideas, content and a personal mark.
  • Learn tips for getting out of your own way so your painting process flows.
  • Learn how to apply encaustic paint in layers and in various levels of transparency, as well as how and when to scrape back to reveal exciting forms and patterns within the layers.
  • Learn how to use the transparency of the wax to allow pattern and information to combine and ‘talk’ within the painting.
  • Experiment with doodling, mark making and process to create a personal vocabulary of marks.
  • How to effectively use the palette for mixing and painting in encaustic.
  • Learn how to use stencils, marks, pattern and the grid to organize the ‘chaos’.
  • Learn alternatives in tools, painting and scraping methods from the ‘usual’ encaustic techniques.
  • Learn how fun PaintSmash is and how it can spice up your work.
  • Something new, fun, fast and loose.


Included in all of my encaustic workshops

  • Color, composition, application, content-the basics, the intermediate, the advanced.
  • Using color relationships, proportion, scale as an effective foundation for other painterly information.
  • Individual consultation/critique discussion with each participant. Bring a piece of work, a question, a concern, a problem and discuss it with me. My most favorite part of the workshop is this special time I spend talking one-on-one with each participant.
  • Learn how to use encaustic’s strengths (layering, transparency, luminosity) to tell your story.
  • Mark-making exercises-geared toward making simple or complex marks to generate a personal voice.
  • Group sharing and discussion-always an amazingly helpful time for participants to share their victories and struggles.
  • A slide talk with examples of contemporary artists whose work applies the concepts discussed in the workshop is offered for inspiration. Some examples of the slides included in the talks for this workshop is just below.
  • Individual and group instruction/critique throughout the workshop.


    SUGGESTED MATERIALS PARTICIPANTS HAVE IN THEIR STUDIO

    • Read this blog post for tools ideas-please note, you don’t have to have these materials but you might see something you’d like to try.
    • 2-4 wooden painting panels (your preference of 8×8 or 10×10, but no larger or smaller, please) (nothing coated in acrylic or acrylic gesso!!)
    • 3-5 natural hair brushes  for encaustic painting (1 smallish-no bigger than 1.5” brush will be designated your medium brush, so it must be free of color.
    • 1lb encaustic medium from any company
    • Heat gun and/or Iwatani torch
    • Sketchbook or Drawing paper
    • Package of razor blades or clay scraper
    • Any small sharp-ended tool for incising/writing/drawing into the wax (sewing or knitting needles are great)
    • Basic encaustic colors
    • 1-2 RF paintsticks

      OPTIONAL MATERIALS 
    • Double sided scraper tool-available for purchase here
    • Mark-making tools…Woody, litho crayon, graphite paper, charcoal, oil pastel, etc.
    • Decorative stencils, mesh, doilies, etc-anything flat with open areas that can be used as a stencil
    • Various materials for collage (papers, magazine images, photos, etc.)

What kind of work will I make?

Please enjoy these works in progress that were created by workshop participants during workshops similar to this one.

2 Ways to Register
1. *PREFERRED* Venmo: Send to @Lorraine-Glessner
2. Paypal: Send to lorraineglessnerstudio@gmail.com

New Virtual Workshop: Encaustic Pattern &Repetition

Repeated use of a shape, color, design element unifies composition, creates pattern and rhythm as well as reinforces content. This workshop focuses on the creation of intricate patterns, expressive personal surfaces and multi-layered encaustic paintings.

When you repeat an action again and again, you produce an effect of certainty or security in the viewer’s mind. –Jackie Winsor

Mixed Media Encaustic Pattern & Repetition
A Live Virtual Zoom Workshop
Registrants will receive a Zoom link to join the workshop & will have access to the recorded sessions for a limited time following the workshop.

Limited to 10 participants!
Level: Beginner to Intermediate

When
3 Wednesdays-April  7, 14, 21, 2021
12pm-3pm EST each day

Price
$450

3 Ways to Register
1. *PREFERRED* Venmo: Send to @Lorraine-Glessner
2. Paypal: Send to lorraineglessnerstudio@gmail.com
3. Check: Email lorraineglessnerstudio@gmail.com for mailing address (check must be received at least 5 days before workshop start date)

Who
For Lorraine’s bio, work, exhibitions, teaching and anything else you might want to know, please visit her web site.

Basic Description

Repeated use of a shape, color or design element unifies composition, creates pattern, rhythm and movement as well as reinforces content. This workshop focuses on the creation of intricate patterns, expressive personal surfaces and complex, multi-layered pieces utilizing and in combination with encaustic painting techniques. With an emphasis on mixed media, methods and materials covered in this workshop include the use of organic and geometric form, realistic and abstract imagery, patterned collage, stencils, candy molds, tjaps, and branding (creating marks with heated metal and wood burning tools). Spacing the sessions to once a week allows for participants to experiment and truly delve into the techniques learned. Considerations such as using pattern and repetition as content itself, to tell a story, support and/or strengthen the message will also be discussed.

SCROLL DOWN TO SEE images of student work from encaustic workshops similar in content to this one. Additional blog posts related to other encaustic workshops taught by Lorraine are herehere and here.

Who should take this workshop?

  • You swoon over textiles, prints, decorative arts, design, anything with pattern and you want to learn how to effectively incorporate these elements into your work.
  • You already include lots of pattern and repetition in your work, but the work hasn’t moved past mere decoration to involve meaningful content.
  • You desperately want to include pattern in your work, but you are fearful that it will be received by the viewing public as decorative art.
  • You love image and collage, but when you embed these elements into encaustic, the collage is blurred, burned or looks clunky.
  • You love painting with the intensely pigmented color of encaustic and want to learn how to effectively apply it-how to mix color, how and when to dilute, what brushes and tools to use.
  • You are frustrated with your current body of work, your process(es) and want to create consistency, and a cohesive portfolio.
  • You want to express yourself in a more meaningful way with your work.
  • Your creative process is stagnating and you want to learn a new process, idea or technique.
  • You have always wanted to create ‘visual poetry’ in your paintings.


What happens in this workshop? What will I learn?

  • What a motif is and how you can generate one to create personal patterns with meaning and how to incorporate them into your work.
  • Create personally designed fabrics and papers using indigo, rust and compost printing and use them as a basis for a painting.
  • Create repetitive patterns using innovative tools and techniques such as pyrography (making marks with heated metal and tools), tjaps and candy molds.
  • Learn my technique for applying decorative stenciling into my work and how you can use stenciling to strengthen your compositions and content.
  • Learn how to apply encaustic paint in layers and in various levels of transparency, as well as how and when to scrape back to reveal exciting forms and patterns within the layers.
  • Practice the effective application and fusing of encaustic collaged layers so you aren’t tempted to give up collage forever in frustration!
  • Experiment with doodling, mark making and process to create personal patterns.
  • Learn how to use the transparency of the wax to allow pattern and information to combine and ‘talk’ within the painting.
  • Learn how repetitive pattern, symbols, text, ornament adds power and interest to the work and therefore brings the viewer closer to its message.
  • How repetition can create visual poetry, rhythm, music, etc within the work.


Included in all of my encaustic workshops

  • Color, composition, application, content-the basics, the intermediate, the advanced.
  • Using color relationships, proportion, scale as an effective foundation for other painterly information.
  • Individual consultation/critique discussion with each participant. Bring a piece of work, a question, a concern, a problem and discuss it with me. My most favorite part of the workshop is this special time I spend talking one-on-one with each participant.
  • Learn how to use encaustic’s strengths (layering, transparency, luminosity) to tell your story.
  • Mark-making exercises-whether you are taking the line workshop or not, exercises geared toward making simple or complex marks to generate a personal voice.
  • Book-sharing-each participant brings their favorite art book to share.
  • Group sharing and discussion-always an amazingly helpful time for participants to share their victories and struggles.
  • A slide talk with examples of contemporary artists whose work applies the concepts discussed in the workshop is offered for inspiration. Some examples of the slides included in the talks for this workshop is just below.
  • 30 minute one on one consultation with Lorraine.
  • Individual and group instruction/critique throughout the workshop.
    SUGGESTED MATERIALS PARTICIPANTS HAVE IN THEIR STUDIO

    • 3-5 wooden painting panels (your preference of 8×8 or 10×10, but no larger or smaller, please) (nothing coated in acrylic or acrylic gesso!!)
    • 3-5 natural hair brushes  for encaustic painting (1 smallish-no bigger than 1.5” brush will be designated your medium brush, so it must be free of color.
    • 1lb encaustic medium from any company
    • Sketchbook or Drawing paper
    • Package of razor blades or scraper
    • Various materials for collage (papers, magazine images, photos, etc.)
    • Any small sharp-ended tool for incising/writing/drawing into the wax (sewing or knitting needles are great)
    • Basic encaustic colors
    • Decorative stencils, mesh, doilies, etc-anything flat with open areas that can be used as a stencil
    • Masking or Painters tape
    • Carbon or Graphite transfer paper

      OPTIONAL MATERIALS 

Pattern & Repetition Slides Examples

What kind of work will I make?

Please enjoy the work example pics below from participants who have previously taken this workshop. Please also visit additional blog posts here and here and here for more information related to this workshop.

3 Ways to Register
1. *PREFERRED* Venmo: Send to @Lorraine-Glessner
2. Paypal: Send to lorraineglessnerstudio@gmail.com
3. Check: Email lorraineglessnerstudio@gmail.com for mailing address (check must be received at least 5 days before workshop start date)

Workshops! Workshops! Workshops! My 2020-2021 Encaustic Workshop Schedule

Are you in need of something new to occupy your mind in this time of crazy? Take an encaustic workshop to soothe your soul, help you gain perspective, or get out those frustrations by throwing some paint around the room!

Are you in need of something new to occupy your mind in this time of crazy? Take an encaustic workshop to soothe your soul, help you gain perspective, or get out those frustrations by throwing some paint around the room!
Whatever the reason…buy one for someone you love, buy one for yourself or both.
Before choosing a Retreat or Workshop, please be sure to read my Workshop & Retreat Guide to find out if a Workshop or a Retreat experience (or both!) is the best choice for you. Please note that an additional category has been added to my workshop listing..Virtual Workshops! More virtual workshops will soon be added for January-March, so keep up to date by:

1. Checking my web site Events Page
2. Following me on Instagram or Facebook
3. Becoming a member of my New Facebook Group-Full Spectrum: Lorraine Glessner Painting Workshops Forum
4. Signing up for my Newsletter so you can be the first to know of new listings.
5. Asking! Just email me and I’ll send you a link to my latest schedule.

Please don’t hesitate to contact me with questions about any of these Retreats or Workshops.

2020-2021 VIRTUAL WORKSHOP & RETREAT SCHEDULE

MIXED MEDIA ENCAUSTIC COLLAGE
Live Zoom Workshop

October 26-27, 2020
WORKSHOP WEB SITE & REGISTRATION



EXPLORING LANDSCAPE IN ENCAUSTIC & THE MARK

A Live Virtual Retreat
December 6-11, 2020
WORKSHOP WEB SITE
WORKSHOP REGISTRATION



2021 IN-PERSON WORKSHOP & RETREAT SCHEDULE


MIXED MEDIA ENCAUSTIC
March 24-26
Aya Fiber Studio, Stuart, Florida
WORKSHOP WEB SITE & REGISTRATION


ENCAUSTIC COLLAGE
April 16-17
Hunterdon Art Museum, Clinton, New Jersey
WORKSHOP WEB SITE & REGISTRATION


BEYOND THE BASICS ENCAUSTIC
June 18-22
Peters Valley School of Craft
WORKSHOP WEB SITE & REGISTRATION


EXPLORING LANDSCAPE THROUGH ENCAUSTIC, MARK-MAKING & THE HANDMADE BOOK
Use discount code: Glessner2021 Hurry, it expires 2/8!
July 11-15
Wild Rice Retreat, Bayfield, Wisconsin
WORKSHOP WEB SITE & REGISTRATION

EXPLORING LANDSCAPE IN ENCAUSTIC & THE MARK: A VERMONT ARTIST RETREAT W/DIETLIND VANDER SCHAAF
July 26-30
Lareau Inn & Farm, Waitsfield, Vermont
WORKSHOP WEB SITE & REGISTRATION


EXPLORING LANDSCAPE THROUGH PHOTOGRAPHY, THE FIGURE & ENCAUSTIC: A VERMONT ARTIST RETREAT W/LEAH MACDONALD
August 9-13
Lareau Inn & Farm, Waitsfield, Vermont
WORKSHOP WEB SITE & REGISTRATION


MIXED MEDIA ENCAUSTIC: FIBER & STRUCTURE
August 27-29
Schweinfurth Art Center, Auburn, New York
WORKSHOP WEB SITE & REGISTRATION


EXPLORING LANDSCAPE THROUGH MARKMAKING, JOURNALING & THE BOOK: A TUSCAN ARTIST RETREAT

October 3-7
In Collaboration with Strada Toscana, Tuscany, Italy
WORKSHOP WEB SITE & REGISTRATION


MIXED MEDIA ENCAUSTIC: TEXTURE & LAYERS
October 28-30
R&F Paints, Kingston, New York
WORKSHOP WEB SITE & REGISTRATION


NOLA ARTIST RETREAT: A HISTORIC CEMETERY EXPLORATION THROUGH MIXED MEDIA ENCAUSTIC
November 8-12
New Orleans, Louisianna
WORKSHOP WEB SITE & REGISTRATION


NEW Virtual Workshop: Mixed Media Encaustic Collage

Utilizing the natural luminosity, textural and layering possibilities of encaustic, participants will combine and collage photographic images and marks to explore, communicate, or entertain through personal narrative.

If oil paint is the prose of painting, then encaustic is its poetry. -Chester Arnold


Mixed Media Encaustic Collage
A Live Virtual Zoom Workshop
Registrants will receive a Zoom link to join the workshop & will have access to the recorded sessions for a limited time following the workshop.


Limited to 12 participants!
Level: Beginner to Intermediate


When
October  26-27, 2020
12am-5pm EST with a one hour break each day

Price
$325

3 Ways to Register
1. *PREFERRED* Venmo: Send to @Lorraine-Glessner
2. Paypal: Send to lorraineglessnerstudio@gmail.com
3. Check: Email lorraineglessnerstudio@gmail.com for mailing address (check must be received at least 5 days before workshop start date)

Who
For Lorraine’s bio, work, exhibitions, teaching and anything else you might want to know, please visit her web site.

Workshop Description
Utilizing the natural luminosity, textural and layering possibilities of encaustic, participants will combine and collage photographic images and marks to explore, communicate, or entertain through personal narrative. This workshop covers basic encaustic techniques and collage as well as mark-making using horse hair, graphite paper and image transfer. A slide talk discussing basic principals of composition, working within the grid and examples of contemporary artist’s work in collage is offered for inspiration. Participants will also have an optional opportunity for a one-on-one discussion with Lorraine.

What Else?

  • Color relationships, composition, application, content, proportion, scale as an effective foundation for other painterly information.
  • Learn how to correctly embed the collage in the wax-to eliminate bubbles, blurring and ‘lifting’ of your collage material.
  • Learn how to use encaustic’s strengths (layering, transparency, luminosity) to tell your story.
  • Mark-making exercises geared toward making simple or complex marks to generate a personal language.
  • The option of an Individual Consultation/Critique discussion with Lorraine…Bring a piece of work, a question, a concern, a problem and discuss it with Lorraine.
  • A slide talk with examples of contemporary artists whose work applies the ideas and concepts discussed in the workshop is offered for inspiration.

SCROLL DOWN TO SEE images of student work from encaustic workshops similar in content to this one. Additional blog posts related to other encaustic workshops taught by Lorraine are here, here and here.

SUGGESTED MATERIALS PARTICIPANTS HAVE IN THEIR STUDIO

  • 2-4 wooden painting panels (your preference of 8×8 or 10×10, but no larger or smaller, please) (nothing coated in acrylic or acrylic gesso!!)
  • 3-5 natural hair brushes  for encaustic painting (1 smallish-no bigger than 1.5” brush will be designated your medium brush, so it must be free of color.
  • .5-1lb encaustic medium from any company
  • sketchbook or Drawing paper
  • package of razor blades or scraper
  • Various materials for collage (papers, magazine images, photos, etc.)
  • any small sharp-ended tool for incising/writing/drawing into the wax (sewing or knitting needles are great)
  • basic encaustic colors

    OPTIONAL MATERIALS 

Price $325
3 Ways to Register
1. *PREFERRED* Venmo: Send to @Lorraine-Glessner
2. Paypal: Send to lorraineglessnerstudio@gmail.com
3. Check: Email lorraineglessnerstudio@gmail.com for mailing address (check must be received at least 5 days before workshop start date)

Exploring Landscape in a Live Virtual Encaustic Workshop

With the pandemic keeping us all close to home, its more important than ever to be able to find inspiration literally in your own backyard or close-by. I highlight the live, virtual encaustic workshop I am teaching December 6-11.

I’m grabbing my paints and jumping on the virtual teaching bandwagon along with so many of my esteemed teaching artist colleagues. I still, and with excited anticipation, very much intend to honor my in-person teaching workshop contracts coming up later in the year. But it is with equally excited anticipation that I highlight the quickly approaching live, virtual encaustic workshop I am teaching December 6-11 in collaboration with Wild Rice Retreats.
Visit The Workshop Web Page for more information and registration.

Exploring Landscape Through Encaustic & The Mark Live, Virtual Workshop

This workshop is one of my favorite in-person teaching experiences. I designed this workshop with the desire to share all of my favorite things-art, hiking and teaching-together in one class and in its 5th year it is still going strong. Everyone explores the outdoors differently and through class discussions and individual work, we all see, experience and learn from one another’s creative vision to experience the essence of the land through all of the senses. With the pandemic keeping us all close to home, its more important than ever to be able to find inspiration literally in your own backyard or close-by. Because we will all be in various states and/or countries for this virtual workshop, the group exploration of the various locales will be that much more exciting and expansive. I am currently working on new journaling, mark-making and painting exercises that are sure to inspire you out of stay-at-home humdrum. I very much look forward to creatively exploring your landscape and this virtual workshop platform with you.

Official Workshop Description

The mark of nature combined with encaustic painting creates timeless works which reference memory, change and time. Utilizing the natural luminosity, textural and layering possibilities of encaustic, participants will experiment with innovative materials, drawing and marks to depict the spirit and essence of the land. 

Daily journaling, meditation, readings and expressive mark-making exercises along with leisurely walks exploring the outdoors provide the inspiration for which to develop ideas for series based work while also developing your personal artistic voice. 

Through listening, mapping, touching, collecting and communing with nature through all of the senses, our body’s connection and its direct relationship to landscape is explored and experienced. 

**Please note that participants should be prepared to spend time outside as well as in the studio. In the event that participants are unable to take part in outdoor activities, participants are welcome to opt out and alternative indoor creative exercises will be provided.

To enhance your Virtual Live Retreat with Wild Rice Retreat, the following will be included in your registration:

  1. Welcome box featuring Wild Rice Retreat favorites and goodies to enhance your experience.
  2. Student Work Show posted on the Wild Rice Retreat Website at completion of online retreat
  3. Optional Individual meetings with instructor.
  4. Visit The Workshop Web Page for more information and registration.

TENTATIVE SCHEDULE (May be subject to slight changes)

SUNDAY, December 6, 5:00pm CST
Welcome and informal meet and greet with instructor and participants.

DAY 1: Monday, December 7
9:30am-11:30am CST
We will begin with brief discussion, settling and experiencing the moment. We will take a virtual hike to begin our first day of experiencing the land, discussion of breath/breathing, listening, drawing, journaling collecting inspiration and materials suitable for brush making as well as a brief brush making demo and encaustic monoprint/work on paper demo. Lorraine will introduce a mixed media exercise inspired by our morning hike in which we will use collected materials from the hike to make marks and generate ideas. The rest of the afternoon is devoted to refining this drawing and the sketches from our hike, free painting time and/or more inspiration gathering.

Optional Afternoon Session (Time TBA)
Optional group time for students to share, discuss their work, ask questions of Lorraine.

DAY 2: Tuesday, December 8
9:30am-11am CST
Discussion of drawings and findings from the day before and possibilities for further study. Journaling, discussion of distancing, isolation, effects of pandemic, separation, silence in relationship to the outdoors and how to express these thoughts in marks and paint. Inspiration slide talk of contemporary artists who effectively use line, mark-making and landscape in their work. Basic encaustic painting, color mixing demonstration. Throughout the day, optional individual meetings with Lorraine., individual time to work on projects/assignments.

Optional Afternoon Session (Time TBA)
Optional group time for students to share, discuss their work, ask questions of Lorraine.

DAY 3: Wednesday, December 9
9:30am-11:00am CST
Lorraine will begin with a discussion of paintings, drawings and findings from the day before and possibilities for further study. After discussion, Lorraine will present a basic collage demonstration and further monoprint/work on paper techniques. We will continue with uninterrupted work time for refining drawings, painting, working toward a series and optional individual discussions with Lorraine throughout the day.

Optional Afternoon Session (Time TBA)
Optional group time for students to share, discuss their work, ask questions of Lorraine.

DAY 4: Thursday, December 10
9:30am-11:30am CST
After morning discussion, we will continue with uninterrupted work time using mark making and encaustic to build a series, experiment with marks, make color studies, ask questions, request informal demos, and continue with individual discussions with Lorraine. Lorraine will also demonstrate the use of horsehair as well as introduce other interesting mark making products suitable for encaustic. Throughout the day, individual time to work on projects/assignments.

Optional Afternoon Session (Time TBA)
Optional group time for students to share, discuss their work, ask questions of Lorraine.

DAY 5: Friday, December 11
9:30am-11:30am CST
Discussion and wrap-up show and tell led by Lorraine.          

Visit The Workshop Web Page for more information and registration.

What Else?

  1. Color relationships, composition, application, content, proportion, scale as an effective foundation for other painterly information.
  2. Learn how to use encaustic’s strengths (layering, transparency, luminosity) to tell your story.
  3. Mark-making exercises geared toward making simple or complex marks to generate a personal language.
  4. The option of an Individual Consultation/Critique discussion with Lorraine. Bring a piece of work, a question, a concern, a problem and discuss it with Lorraine.
  5. Some guided meditation time, planned hiking geared toward your locale will relax and open your mind and spirit to the land, helping to support and nurture your unique creative voice.
  6. A slide talk with examples of contemporary artists whose work applies the ideas and concepts discussed in the workshop is offered for inspiration.
  7. Lots of open studio time to explore and interpret the inspiration gained from the meditations and hikes.

Still on the fence?

Visit this post, this post, and this post to see highlights and student work from past Retreats similar in content to this workshop. Visit this post and this post to see how I combine art, hiking and landscape in my personal work.

5 Reasons Why I Installed My Solo Gallery Show During Covid19 Quarantine

Why did I go ahead with installing a show in the middle of a pandemic? A show that may never have eyes on it other than mine and the gallery owner’s? I list 5 very good reasons why I did it…

Hey, so did you all know I have an actual solo show installed in an actual gallery right in the middle of a national quarantine? The opening, originally scheduled for April 11 was rescheduled as a closing for May 16 and has now been extended to a June 6 closing. (Show details at the end of the article). I was lucky to gain the extension because the artist whose show was scheduled after mine decided to decline because of the virus. Why did I go ahead with installing a show that may never have eyes on it other than mine and the gallery owner’s?

Because….

  1. I’m an artist and it’s what I do. Period. I am an artist. I have art. I have been offered walls in a gallery to hang that art and I’m going to hang it. One of my favorite quotes from the book, Steal Like An Artist, Watch a great musician play a show, watch a great leader give a speech. You’ll see what I mean. You need to find a way to bring your body into your work….you know that phrase ‘going through the motions?’ That’s what’s so great about creative work: if we just start going through the motions, if we strum a guitar or shuffle sticky notes around a conference table, or start kneading clay, the motion kick starts our brain into thinking.
    It’s important for me as an artist to do what I do, to go through the motions no matter the fears I, or anyone else, may have regarding the future.
  2. Hope How many of you have walked down once bustling city streets and peeked into shop windows wishing that you would see a light on or a person working, something that would give you hope? Well, I have peered into shop windows on a few instances and I have found that hope. People walking by the gallery may not be collectors and it may not be an opening, but it just might add hope to the heart of someone glancing in the window of the gallery who sees my art instead of empty white walls.
  3. Art is Meant to be Experienced in Person Kudos and many thanks to those who have organized online exhibitions to brighten art lovers lives during isolation, I have thankfully been a part of a few of these shows. But just like quarantine, online exhibitions are not sustainable in order for art to thrive. Scale, color, sound, smell, texture, touch, not to mention the emotional experience one can rouse from the presence of a piece of art and/or the cohesiveness of entire exhibition. These things are just absent when viewing art online.
  4. Normalcy I needed a bit of it in my life. Taking masked precautions when necessary, I continued to hike, drive, go to the food store and keep appointments when I could throughout the quarantine. So when the gallery owner contacted me and asked if I wanted to go on with the show, my answer was an adamant, Of Course! As we slowly creep out of this isolation and take proper precautions, I will continue to schedule in person shows, workshops, trips and everything else that brings me just a bit closer to normal life and I encourage you, my artist friends (those of you who can do this safely) to do the same.
  5. Art is An Essential Worker Not to undermine the so many brave frontline souls, you are wonderful and thank YOU for doing what you do. So many conversations have been had during this quarantine regarding who is an essential worker, what is an essential product, business, etc. As an artist, I’m guessing art and artists fall somewhere near the bottom of that very long list of essentials. My post, 5 Reasons Why the World Needs Art & Artists argues why art should at least be near the top.

If you’re in the Philadelphia area, please come see my show! All precautions will be taken to keep everyone safe and distant while viewing the art including mandatory mask wearing (I will have a few of my own handmade, hand-dyed, sterilized masks on hand as door prizes for the first 5 attendees!) Limit to 4 people inside the gallery at a time, wrapped refreshments and frequent wiping down of surfaces. Come see!
For those of you who can’t make it, highlights of the show are pictured below.

Lorraine Glessner Solo Show: A Box of Devils
Closing Reception, June 20, 2-5 pm
Boston Street Gallery, Philadelphia, PA
Gallery Web Site

Workshop & Retreat Guide: Which One is Best for You?

I used to see the two descriptives, ‘workshop’ and ‘retreat’ as interchangeable, but over the years have noticed a distinct increase in the use of the word retreat. As I have started to organize my own workshops and retreats, it became more apparent to define the difference for myself and prospective participants.

I hadn’t really given this question much thought until it was posed to me during my interview with Alyson Stanfield for her wonderfully informative Art Biz Podcast. I used to see the two descriptives, ‘workshop’ and ‘retreat’ as interchangeable, but over the years have noticed a distinct increase in the use of the word retreat. As I have started to organize my own workshops and retreats, it became more apparent to define the difference for myself and prospective participants. To my knowledge, no one has formally defined these two things so I’d like to add a bit of a disclaimer that the following guide is based on my own experience and are the guidelines I personally use when promoting and organizing my classes.

Artist Workshops are:

  • A gathering of like-minded individuals for a week or less for the purpose of learning, completing a project, exchanging ideas and/or discussion.
  • Usually takes place at a facility/house/room/building equipped specifically for the workshop, but may also be used for other purposes at other times.
  • Taught by a 1-2 professional instructors.
  • Although some may travel a distance to participate in a workshop, many may be also be local. Accommodations and meals may be, but are not always included as part of the workshop.
  • Offered multiple times a year.

Artist Retreats are:

  • The same as workshops in concept (see point one above), but are scheduled for a longer period of time-at least a week or more.
  • The location is important, is most often a destination locale and is often explored as a significant part of inspiration for the retreat.
  • There are side/field trips scheduled as part of the workshop inspiration.
  • Food, yoga, meditation, spa, and other body pampering activities are scheduled or available to the retreat participant.
  • Participants likely travel to the destination and are encouraged to stay at the location for the duration of the retreat in order to totally immerse themselves in the experience. Accommodations and meals are usually included as part of the retreat.
  • A unique experience and may be offered as a once in a lifetime or as a rarity.

I hope you’ve found this post helpful and informative. Please see this post for a comprehensive listing of my 2020 Artist Workshops & Retreats.

My 2020 Workshop & Retreat Schedule

Is there someone on your holiday gift list who has everything? Instead of more STUFF, give them the experience of a creative Workshop or Retreat! Buy one for someone you love, buy one for yourself or both!

Is there someone on your holiday gift list who has everything? Instead of more STUFF, give them the experience of a creative Workshop or Retreat! Creative experiences make great gifts because they keep on giving for a lifetime. Buy one for someone you love, buy one for yourself or both!
Before choosing a Retreat or Workshop, please be sure to read my Workshop & Retreat Guide to find out if a Workshop or a Retreat experience (or both!) is the best choice for you. Please don’t hesitate to contact me with questions about any of these Retreats or Workshops.

2020 Retreats

WILD RICE RETREAT: EXPLORING LANDSCAPE THROUGH ENCAUSTIC & THE MARK
Wild Rice Retreats combines food, wine, body self-care and gorgeous inspiring landscape to round out their creative expression retreats. Please visit the workshop link below to read more about Wild Rice, view their lovely photo gallery and to find out more about my class.
**SIGN UP FOR THIS RETREAT DURING THE MONTH OF DECEMBER AND RECEIVE $100 OFF PLUS A BOTTLE OF WINE!**
July 12-16
Wild Rice Retreat, Bayfield, WI
WORKSHOP DESCRIPTION, INFORMATION & REGISTRATION
See this post and this post for Retreat Highlights and Student work made in Retreats similar to this one.

IRELAND ARTIST RETREAT: MIXED MEDIA ENCAUSTIC
Created by and for encaustic artists, the Essence of Mulranny Retreats offer state of the art facilities, sweeping coastal and mountain views and miles of inspiring Irish landscape make this retreat a once in a lifetime experience you will draw inspiration from for years. Please visit the links below for Retreat details and photo gallery.
August 1-8
Essence of Muranny, Mulranny, Ireland
WORKSHOP DESCRIPTION, INFORMATION & REGISTRATION
See this post and this gallery for Retreat Highlights and Student work made in Retreats similar to this one.

VERMONT ARTIST RETREAT: EXPLORING LANDSCAPE & THE FIGURE THROUGH PHOTO ENCAUSTIC
I have teamed up with photo encaustic artist, Leah MacDonald to teach this once in a lifetime Retreat in rural Vermont. Lareau Farm Retreat offers comfortable country accommodations, farm to table meals, miles of hiking through meadow, forest, mountain and swimming in the Mad River. Leah and I have planned a wonderful five days photographing the figure and expressing the landscape as well as a few fun local excursions. Please visit the link below for photo galleries and a detailed Retreat description and itinerary.
August 17-28
Lareau Farm Retreat, Waitsfield, VT
WORKSHOP DESCRIPTION, INFORMATION & REGISTRATION

NOLA ARTIST RETREAT: A HISTORIC CEMETERY EXPLORATION THROUGH MIXED MEDIA ENCAUSTIC
A truly unique experience not to be duplicated, I have teamed up with New Orleans based artist and historian, Heather Veneziano to offer an immersive creative exploration of New Orleans extraordinary cemeteries. In addition to cemetery excursions and ample studio time, Heather and I have planned several fun food and creative excursions to New Orleans lesser known inspiring spaces and resources. Please visit the link below for a detailed Retreat description, itinerary and photo gallery.
November 9-13
Paper Machine Studio, New Orleans, LA
WORKSHOP DESCRIPTION, INFORMATION & REGISTRATION

2020 Workshops

MIXED MEDIA ENCAUSTIC COLLAGE
April 18-19
Hunterdon Art Museum, Clinton, NJ
WORKSHOP DESCRIPTION, INFORMATION & REGISTRATION
See this post for workshop highlights and student work of past workshops similar to this one.

MIXED MEDIA ENCAUSTIC: FIBER EXPLORATIONS
May 1-3
Schweinfurth Art Center, Auburn, NY
WORKSHOP DESCRIPTION, INFORMATION & REGISTRATION
See this post and this post for workshop highlights and student work of past workshops similar to this one.

MIXED MEDIA ENCAUSTIC: FIBER & STRUCTURE
June 28-July 2
Cullowhee Mountain Arts, Cullowhee, NC
WORKSHOP WEB SITE COMING SOON!
See this post and this post for workshop highlights and student work of past workshops similar to this one.

APPROACHES ON PAPER: ENCAUSTIC & PRINTMAKING
September 17-19
Elise Wagner Studio, Portland, OR
WORKSHOP DESCRIPTION, INFORMATION & REGISTRATION
See this post for workshop highlights and student work of past workshops similar to this one.

MIXED MEDIA ENCAUSTIC: TEXTURE & LAYERS
October 14-16
R&F Paints, Kingston, NY
WORKSHOP DESCRIPTION, INFORMATION & REGISTRATION
See this post and this post for workshop highlights and student work of past workshops similar to this one.

NOLA Artist Retreat: A Historic Cemetery Exploration Through Mixed Media Encaustic

The first thing you notice about New Orleans are the burying grounds – the cemeteries – and they’re a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay – ghosts of women and men who have sinned and who’ve died and are now living in tombs. The past doesn’t pass away so quickly here.
― Bob Dylan

When November 8-12, 2021

Limited to 12 participants!
Level: Beginner to Advanced
$1000 includes workshop and most workshop materials (see supply list below)

For Registration, Please Contact: Lorraine Glessner, lorraineglessnerstudio@gmail.com

Payment Payment of 50% of the workshop fee + materials ($500) is due at the time of registration with the remaining 50% ($500) due approximately 6 weeks before the workshop date. Please contact Lorraine for payment details. For Registration, Please Contact: Lorraine Glessner, lorraineglessnerstudio@gmail.com

Where  New Orleans Glassworks & Printmaking Studio, 727 Magazine Street NOLA (near the Convention Center)
Studio Contact: Jean Blair, 504-250-7277, neworleansglassworks@gmail.com

Who  A collaborative teaching venture with Heather Veneziano & Lorraine Glessner (Scroll down for more about Heather and Lorraine.

Workshop Description
Rebecca Solnit writes, ‘A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.’
Utilizing the natural luminosity, textural and layering possibilities of encaustic, participants will experiment with mixed media collage, imagery and marks to depict the spirit and essence of the history, stories and craft associated with New Orleans’ unique ‘Cities of the Dead.’ Excursions to New Orleans ethereal cemeteries and field trips to lesser known venues throughout the city are led by historian and artist, Heather Veneziano. Photo recording, journaling, sketching and in situ lectures provide the inspiration from which to develop ideas and areas of focus toward developing your personal artistic voice. Optional individual critiques with both Lorraine and Heather are offered to all participants.
**Please note that participants should be prepared to spend time outside as well as in the studio. In the event that participants are unable to participate in the workshop walks, participants are welcome to opt out and alternative outdoor creative exercises will be provided.

New Orleans is one of the most magical cities in the world. There is something about this city that has a tendency to take hold of you and won’t let go….For many people who move away they are drawn back by something intangible. There is a spirit and deep sense of belonging that the city seems to invoke.
-Richard Bienvenu

All images by Heather Veneziano. Visit her Instagram for more.

Workshop Itinerary

Sunday 5-7pm Orientation
Informal Meet & Greet with Wine, Cheese and Beignets.

Monday 9:30-4:30 Workshop
Heather will lead us on an excursion to St. Louis Cemetery No. 2 in the Treme neighborhood of New Orleans, next to the French Quarter. While there, Heather will discuss interesting and inspiring history, stories and lore associated with the cemetery itself and with those buried there. Lorraine will introduce writing and mark making exercises designed to inspire creative expression, participants are invited to respond in situ. Back at the studio in the afternoon, we will recap and expand on the writings and drawings generated from the morning excursion.

Tuesday 9:30-4:30 Workshop, 7:00-9:30pm Optional Field Trip TBA
Heather will lead us on a slightly longer excursion to visit cemeteries at the end of Canal Street and Holt Cemetery, which contains unique grave markers. Plan to stop for lunch, writing, sketching, mark making and stories and head back to the studio when everyone is ready. Back at the studio, both Lorraine and Heather will present slide talks designed to inspire the studio work for the following days.

Wednesday, 9:30-4:30 Workshop, 7:00-9:30pm Optional Field Trip TBA
Lorraine will present encaustic and mixed media demonstrations throughout the day. We will continue with uninterrupted work time for refining drawings and painting, working toward a series and individual discussions with Lorraine and Heather.

Thursday 9:30-4:30 Workshop, 7:00-9:30pm Optional Field Trip TBA
Lorraine will continue with collage, texture, surface manipulation and mark making demos and exercises, encouraging students to develop a personal artistic voice. Personalized individual mentoring sessions with Lorraine and Heather continue throughout the day.

Friday 9:30-4:30 Workshop
Morning work time to complete projects and individual mentoring with Lorraine and Heather. Afternoon project show and tell with the group, clean up and good-byes.

What Else?

  • Color relationships, composition, application, content, proportion, scale as an effective foundation for other painterly information.
  • Learn how to use encaustic’s strengths (layering, transparency, luminosity) to tell your story.
  • Mark making exercises geared toward making simple or complex marks to generate a personal language.
  • The option of an Individual Consultation/Critique discussion with each instructor. Bring a piece of work, a question, a concern, a problem and discuss it with Heather and Lorraine.
  • Guided meditation and planned excursions will relax and open your mind and body to the city’s spirit and essence, helping to support and nurture your unique creative voice.
  • A slide talk with examples of contemporary artists whose work applies the ideas and concepts discussed in the workshop is offered for inspiration.
  • Lots of open studio time to explore and interpret the inspiration gained from the meditations and excursions.

All images by Heather Veneziano. Visit her Instagram for more.

SCROLL DOWN TO SEE images of student work and fun scenes from retreats, hosted and taught by Lorraine and Heather’s preservation, art work and workshops. For more images of past Artist Retreats co-taught by Lorraine visit here, here and here and Lorraine’s Workshop Web Site. Additional blog posts related to artist retreats co-taught by Lorraine are here, here and here.

For Registration, Please Contact: Lorraine Glessner, lorraineglessnerstudio@gmail.com

About Heather & Lorraine

About Heather Veneziano
www.instagram.com/thirdclassrelic
Heather Veneziano is an architectural historian and cultural heritage advisor with the preservation-consulting firm of Gambrel & Peak, a role she has held since June of 2014, as well as the Director of Public Engagement and Development for New Orleans Catholic Cemeteries. In addition, she is also an award winning author and an accomplished editor and contributor to a number of published works focused on cemetery studies and the architecture of the Gulf South. She is also the owner and operator of Arcadia Weaving, a luxury textile company that produces handwoven and environmentally responsible home goods. She has taught studio-based textile courses at the collegiate level, and has exhibited and lectured nationally as well as internationally on her studio practice.
Heather’s expertise is in cultural heritage sites, vernacular architecture, deathscapes, and cemetery studies with a focus on historic preservation and placemaking. She is well versed and experienced in hands-on masonry conservation, digital archiving, project management, and a wide variety of craft-based processes. 
She holds an advanced degree in studio-based craft from the University of the Arts, a Master of Fine Art from the University of Edinburgh, in addition to a Master of Preservation Studies from Tulane University. In 2017, she co-founded the state chapter of the Association of Gravestone Studies and currently serves as co-chair.

Visit Heather’s Instagram for more images of New Orleans and Heather’s art and preservation work.

Yes, it’s the customs, traditions, the music, the food, the architecture, the history, all the different ethnic groups who’ve put their indelible mark on [New Orleans]. And it’s something more. It’s this something that is in the air, that bubbles up from the streets, that silently sings to you in a sultry evening. It’s this indescribable otherness that some have tried to put into words over the decades but somehow manages to escape description.
-Richard Bienvenu

About Lorraine Glessner
lorraineglessner.net
Lorraine Glessner’s love of surface, pattern, markmaking, image and landscape has led her to combine disparate materials and processes such as silk, wood, wax, pyrography, rust, paper and more in her work. Lorraine is a former Assistant Professor at Tyler School of Art, Temple University, a workshop instructor and an award-winning artist. She holds an MFA from Tyler School of Art, Temple University, a BS from Philadelphia University, and an AAS in Computer Graphics from Moore College of Art & Design. She has a diverse art background with skills that include painting, sculpture, graphic design, interior design, textile design, photography, digital imaging and much more. Among her most recent professional achievements is a Second Place award in Sculpture from Art of the State at the State Museum in Harrisburg, PA, a recently completed artist residency at Jentel Foundation and an acquisition by Kelsey-Seybold Cancer Center in Houston, Texas. Lorraine’s work is included in the recently released Encaustic Art in the 21st Century by Ashley Rooney and Nuance, a curated book by artist, Michelle Stuart. Lorraine frequently lectures and participates on academic panels at various Conferences including The International Encaustic Conference, SECAC and The College Art Association Annual Conference. Her work is exhibited locally and nationally in galleries, museums, craft centers, schools, libraries, universities, and more. Like her work, Lorraine brings to her teaching a strong interdisciplinary approach, mixed with a balance of concept, process, history, experimentation, problem solving and discovery.

Visit Lorraine’s Web Site for more images of her mixed media encaustic work.

Materials Included: the following list of materials is provided for the student

  • All encaustic paints, encaustic medium, tools and equipment
  • A variety of pigment sticks
  • Sumi ink & other misc. drawing media
  • Misc. drawing papers
  • Paper towels/rags
  • Extra encaustic brushes
  • Stencils and other textures
  • Misc. collage materials

What to bring: the following is a list of materials for the student to bring to the workshop

  • Sketchbook/notebook, pencil or pen for note taking
  • 1-2 drawing media of your choice (pencil, pastel, conte charcoal, oil pastel, Crayon, graphite, felt pen, etc.)
  • Closed toe shoes for safety in the studio and excursions
  • 3-6 wooden painting panels (your preference of 8×8 or 10×10, but no larger or smaller, please) Other suggested substrates are: masonite (coated with encaustic gesso), Ampersand Encausticbord, MultiMedia Art Board. If you decide to bring something other than what is suggested here, it must be rigid and not coated in acrylic or acrylic gesso!!
  • 2-4 actual OR images of your work, digital prints or phone/iPad sharing is fine
  • 4-6 hake or hog’s bristle natural hair brushes in 1-2 inch sizes for encaustic painting (1 brush will be designated your medium brush, so it must be free of color if you are bringing used brushes)
  • Materials for collage (fabric, papers, magazine images, photos, etc.)
  • Digital Camera or smart phone or point and shoot camera or DSLR

Optional Materials Smock, any encaustic paint color or pigment stick color you favor, Iwatani torch with extra butane, any tool or material for any technique that you normally employ while working with encaustic, textured objects and/or sharp ended tool for pressing into/incising/writing/drawing into wax, 1-2 inspiring books to share with the class.

Excursion Equipment Recommendations

  • Comfortable closed toe shoes
  • Butt pack or small backpack
  • Comfortable clothing
  • Light rainwear or disposable ponchos
  • Hat
  • Large water bottle
  • Bug repellant
  • Sun block
  • For portable art supply ideas, visit Lorraine’s Amazon Store

Cancellation In the event that you need to cancel your workshop, please notify Lorraine at least 30 days prior to the start of the workshop and your deposit will be refunded. No refunds will be available for cancellations occurring less than 30 days from the start of the workshop.

Food There will be water available in the studio, however, you may want to bring other preferred beverages. Other than granola bars, there will be no food served during the workshop, you will have to bring lunch and other preferred snacks.

For Registration, Please Contact: Lorraine Glessner, lorraineglessnerstudio@gmail.com

There are certain cities and certain areas of certain cities
where the official language is dreams.
Venice is one. And Paris.
And New Orleans, the city that dreams stories.

Andrei Codrescu

Images of student work and fun scenes from retreats, hosted and taught by Lorraine and Heather’s preservation, art work and workshops. For more images of past Artist Retreats co-taught by Lorraine visit here, here and here and Lorraine’s Workshop Web Site. Additional blog posts related to artist retreats co-taught by Lorraine are here, here and here.

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