Awestruck, we found ourselves face-to-face with the rising sandstone cliffs of the Capitol Reef. The only comparable vista that I have ever seen is at the site of Petra, in the land of Jordan. However, the Capitol Reef is not only much vaster — extending over a hundred miles; unlike Petra — where Man had a major role in carving out its topology and architecture — the Capitol Reef owes its unique landscape and incredible array of multi-colored sandstone canyons, castles, pinnacles, and buttes — some of them reaching right up to the sky — to Nature’s rich endowment of evolutionary forces. Here, over eons, the rain, the snow, the sun, and wind have converged, employing all of their might to render a grandiose and unforgettable landscape.
Terry Tempest Williams
A Desert Artist Retreat: Exploring Landscape Through Encaustic & the Mark
Limited to 8 participants! 2 Spaces Available!
Level: Intermediate to Advanced
$755 includes most materials (see below)
For Registration, Please Contact: Lorraine Glessner, firstname.lastname@example.org
August 21-25, 2017, 10am-4pm each day
Utilizing the natural luminosity, textural and layering possibilities of encaustic, participants will experiment with innovative materials, drawing and marks to depict the spirit and essence of the land. Easy to moderate hikes exploring the high desert landscape of Torrey, Utah are led by Jeff and Lorraine and will provide the inspiration for which to develop ideas and provide areas of focus for series based work while also developing your personal artistic voice. Considerations of the use of the grid as a conceptual and compositional tool as well as its direct relationship to landscape will also be discussed. Optional individual critiques with both instructors will be offered to all participants.
SCROLL DOWN TO SEE the images below of student work and fun scenes from hikes and studio during last year’s Torrey Retreat, 2016.
Where Jeff Juhlin Studio, in beautiful Torrey, Utah located just outside of Capital Reef National Park in the heart of the southern Utah Red Rock country. (pictured above: Jeff Juhlin’s Torrey, Utah home and studio)
SCROLL DOWN TO SEE the pics below for more of Torrey’s amazing landscape and Jeff’s studio, as well as additional blog posts related to the Torrey landscape here, here and here.
Who A collaborative teaching venture with Jeff Juhlin & Lorraine Glessner
Jeff’s work is about discovery, the hint of possibility. It’s about the layers or strata of things substantive, imagined, physical and implicit. He accumulates layers of material, images and color that make up the whole of a painting, then goes back in and to explore, excavate, expose and obscure. The end result is a non-literal visual form, a translation of that experience and process.
Jeff uses various materials and mediums to create these works however encaustic incorporated with mixed media including paper, ink and oil paint are most often the primary mediums. Encaustic’s luscious luminosity; physical presence and translucent quality seem the ideal medium to explore this process.
Jeff has completed Residency/Fellowships at the Virginia Center for the Arts and VCCA France, Moulin Au Neuf, Auvillar France. He has been Artist in Residence 2010-2015 at the Hui Art Center in Maui, Hawaii. His work can be found in numerous private, corporate and public collections as well several public art commissions. Jeff holds a BFA degree from the San Francisco Art Institute. He maintains studios in Salt Lake City and Torrey Utah. He teaches Regularly at the Hui Art Center in Maui, Hawaii, the Kimball Art Center in Park City Utah and at his Studio in Salt Lake City.
Lorraine Glessner’s love of surface, pattern, markmaking, image and landscape has led her to combine disparate materials and processes such as silk, wood, branding, rust, paper and more in her work. Lorraine is an Assistant Professor at Tyler School of Art, Temple University, a workshop instructor and an award-winning artist. She holds an MFA from Tyler School of Art, Temple University, a BS from Philadelphia University, and an AAS in Computer Graphics from Moore College of Art & Design. She has a diverse art background with skills that include painting, sculpture, graphic design, interior design, textile design, photography, digital imaging and much more. Among her most recent professional achievements is a Second Place award in Sculpture from Art of the State at the State Museum in Harrisburg, PA, a recently completed artist residency at Jentel Foundation and an acquisition by Kelsey-Seybold Cancer Center in Houston, Texas. Lorraine’s work has been exhibited locally and nationally in galleries, craft centers, schools, libraries, universities, and more. Like her work, Lorraine brings to her teaching a strong interdisciplinary approach, mixed with a balance of concept, process, history, experimentation, problem solving and discovery.
- Color relationships, composition, application, content, proportion, scale as an effective foundation for other painterly information.
- Learn how to use encaustic’s strengths (layering, transparency, luminosity) to tell your story.
- Mark-making exercises geared toward making simple or complex marks to generate a personal language.
- Individual consultation/critique discussion with each participant. Bring a piece of work, a question, a concern, a problem and discuss it with Jeff and Lorraine.
- Daily hikes and meditations relax and open your mind and spirit to the land and to your own creative voice.
- A slide talk with examples of contemporary artists whose applies the concepts discussed in the workshop is offered for inspiration.
Student work and other fun stuff from Torrey Retreat, 2016
Materials Included: the following is a list of materials provided for the student
- All encaustic paints, extra medium, tools and equipment
- Graphite paper, sumi ink & other misc. drawing media
- Misc. drawing papers
- Paper towels/rags
- Extra encaustic brushes
What to bring: the following is a list of materials for the student to bring to the workshop
- Sketchbook/notebook, pencil or pen for note taking
- Smock (optional)
- Closed toe shoes for safety in the studio
- Lunch and beverage each day
- 6-10 wooden painting panels (your preference of 8×8 or 10×10, but no larger or smaller, please) Experimentation is great! You must bring the wooden painting panels, but other suggested substrates are: stiff card, paper, masonite, board, plexiglass, etc. (nothing coated in acrylic or acrylic gesso!!) wooden panels will also be available for sale in the studio during the workshop.
- 2-4 actual or images of your work
- 5-10 natural hair brushes in various sizes for encaustic painting (1 brush will be designated your medium brush, so it must be free of color if you are bringing used brushes)
- a variety of basic encaustic colors will be provided, however, if you prefer certain colors, please bring them. (containers provided)
- a variety of pigment sticks will be provided, however, if you prefer certain colors, please bring them.
- drawing media of your choice (pencil, pastel, conte charcoal, oil pastel, Crayon, graphite, felt pen, etc.)
- any tool or material for any technique that you normally employ while working with encaustic
- iwatani torch with extra butane (optional)
- textured objects and/or sharp ended tool for pressing into/incising/writing/drawing into wax.
- 1 lb encaustic medium (containers provided)
Hiking Equipment Recommendations
- Sturdy hiking shoes/boots
- butt pack or small backpack
- comfortable clothing
- light rainwear
- water bottle
- Digital Camera or smart phone or point and shoot camera or DSLR
- bag for collecting found materials
For Registration, Please Contact: Lorraine Glessner, email@example.com
Payment Payment of 50% of the workshop fee + materials ($377.50) is due at the time of registration with the remaining 50% ($377.50) due on the first day of the workshop. Please contact Lorraine for payment details.
Cancellation In the event that you need to cancel your workshop, please notify Lorraine at least 30 days prior to the start of the workshop and your deposit will be refunded. No refunds will be available for cancellations occurring less than 30 days from the start of the workshop.
Accommodations THE CABIN HAS BEEN FILLED. SEE BELOW FOR ACCOMMODATION RECOMMENDATIONS (Pictured below) The large cabin next to the main house and studio is walking distance to the studio and is available for $100 per night with each person an additional $25 (up to 6 people) and a $100 deposit. It includes one bunk bed (two beds) Rear bedroom, two single beds in a middle bedroom and one double bed in the other middle bedroom, (see images) one full bath, full kitchen. A group of friends could take the whole cabin or 3-6 people could stay there for very little cost. Please contact Jeff firstname.lastname@example.org if you are interested in renting the cabin on the Torrey property.
Cabins and hotel rooms in town (less than 10 minutes away) Start at $60 and up. There is a tent camping and mobile home park in Torrey also. Please see the web sites below or contact Jeff for more information.
Food Filtered water will be available for drinking and tea, however, you may want to bring other preferred beverages. There will be no food served during the workshop, you must bring lunch and snacks each day. There is a full supermarket 25 Min away located on Loa, Utah and a small market right in Torrey with local meat, some vegetables and basic food items plus a Deli that serves breakfast and lunch. Contact Jeff email@example.com if you have specific food needs and questions.