Last year, I wrote a popular post listing the Encaustic Paint Colors I Can’t Do Without and as a result a reader requested I write a post listing some colors for the beginner. The International Encaustic Conference is starting this week with it’s overwhelmingly wonderful vendor room, so now is a perfect time for this post.
There are only a handful of colors one really needs in order to mix all colors; magenta, yellow, cyan, black and white or the primary colors Red, Yellow, Blue, Black and White…actually, you don’t even need black, you can mix that by mixing all the colors in equal proportions. But who has time for that, it’s just easier to have some colors at the ready and I developed this list with that thought in mind. I also thought about some colors that are just so luscious you might want them all the time without having to mix them. I started with a varied color wheel and branched off with a few oddballs you might find interesting. As a beginner, it’s important to start small and purchase some, rather than all. Buy the small sizes instead of the mega size, find what’s right for you and go from there. When I first started painting with encaustic, I only used 4 colors and slowly added more. This list is a good place to start for the beginner as well as advanced and I hope it helps you find the color combination of your dreams.
Other things I mentioned in the first post that I would like to reiterate. I never use colors ‘straight out of the tube’, all of my colors are mixed with 2-5 colors and yours should be as well. It creates a more personalized palette when you do this as well as a more interesting painting. Once again, this list is in no particular order and I photographed the paints on top of an in progress painting just as they are…messy, mushy, splashed with other colors, alluding a little to my process and looking like colorful little sculptures. If you’d like to see the paints pretty and clean, just click on the links to the paint distributor’s sites. If you’d like to learn more about encaustic color mixing, take a workshop with me, I discuss paint mixing in a all of my workshops.
If this post was helpful to you, please let me know, I invite your comments questions and suggestions in the comments section now located in the upper left sidebar of this post.
Stay tuned for my next post, Part Two of my Evolution of a Mark series of posts in which I trace back to my beginnings as an artist to where I am today. If you haven’t done so, make sure you read Part One so it all makes sense.
Enjoy the lovely flowers blooming everywhere.
- Alizarin Orange I LOVE this color, it will be on any list I make regarding paint colors. Bright and versatile, it can go from a light gold to a rich rusty orange in one swipe. When mixed with white or any other color, it retains it’s richness.
- Payne’s Grey Like Alizarin Orange, this color will be on any encaustic paint color list I make. I use this instead of black to darken any color. For me, black tends to deaden the color as it darkens, while this one allows the original color to retain it’s voice.
- Warm Pink Like neutral white, I have used this color since I started painting in encaustic. It brightens any color and when mixed with a little and painted next to or on top of earthy blues, grays or greens, the eyes vibrate!
- Brilliant Yellow Extra Pale I love to use this color instead of white as it not only lightens, it adds just a touch of yellow and whimsy as it brightens as well.
- Cobalt Blue A bright, clear blue, I use it more than any other blue.
- Malachite Green I use this color way too much. It’s one of those colors that changes as it’s painted next to different colors. It makes any color and any painting sing.
- Phthalo Turquoise Another color that looks dead in the package and like black when it’s melted, it is actually one of the brightest and most versatile colors. Add just a touch of any white and watch the magic happen.
- Phthalo Blue Embarrassingly I just read what Phthalo colors actually are a few years ago and now buy anything described as such because of its unmatched intensity. There is a clarity to this blue that you will find in no other for water, skies, anytime you need blue. It mixes beautifully and always retains its voice.
- Alizarin Crimson I do not have a Cadmium Red on this list, which may be odd to some, but quite honestly I have rarely ever used it because it always reads slightly orange to me. To be clear, Cadmium Red is the purest red and I would be remiss to tell you not to have it in your collection. However, I always find myself reaching for the Alizarin Crimson instead. It’s a cross between magenta and red and leans on the darker side of both. However, when it’s mixed with only a slight amount of white, it comes alive and is quite bright. It also makes a wide range of lovely pinks when mixed any light or white color.
- Cadmium Green Pale Not really true green, not really yellow, its a good mix of both, but I wouldn’t call it yellow-green. This is my go-to green, it can be lightened beautifully as well as darkened.
- Zinc White Not having Titanium White on this list may also be a color faux pas but again, I rarely ever use it because it’s so uncomfortably white and a bit too pure for my taste-kind of like a bridal gown that almost looks blue it’s so white. Zinc white is a cross between Titanium and cream. Zinc is very white, but it’s just a degree off and lightens colors just as well as Titanium, yet keeps them just a degree to the left.
- Cadmium Yellow Medium & Light We have to have yellow, it’s the indispensable color, which is why I have two on this list. I almost always go for the Medium yellow, but sometimes I just want less and pick up the Light. R&F also offers a Deep Yellow, but I wouldn’t advise going for it just yet, it’s a bit orange and may not be needed for your palette if you have the other two.
- Cobalt Violet Light I don’t use purple much and frankly, when I need it I mix it myself. However, this color is unusual, is difficult to mix and works well to add just a hint of pinkish-purple-violet to any other color.
Enkaustikos I can’t link directly to each color, so this link goes to all of the colors listed below, just scroll the list to see the color.
- Opal Aquamarine I love this color so much I buy it in huge bulk and for all of my workshops. It makes any blue or green bluer and richer, like the most amazing, clear glacier water.
- Indian Yellow Bright, clear, not quite yellow, not quite orange. I reach for it time and again in place of yellow and mixing it with R&F’s Alizarin Orange is magical.
- Manganese Black The only black you’ll ever need, I was instantly smitten when I first used it. So creamy rich, so deep and consistent. It’s a true black, no blue or brown or gray cast. You only need a teeny tiny bit to darken any color. If you use black by itself, you’ll never find grayish spots or be a bit dissatisfied with this color.
Kama Pigments I can’t link directly to each color, so this link goes to all their colors , just scroll the list to see the color I listed.
- Rose Hornyak/Hornyak’s Pink Again, me and pink-I’ll buy any pink. This one is so Pepto Bismol its almost gross, but it does so many things that the average pink doesn’t do! It adds just that tiny bit of purple that makes other colors vibrate. Try mixing this with Alizarin Orange and/or Warm Pink and/or Brown Pink for a pink magic fest.