Two Exciting Upcoming Workshops Demystified

With workshop season fast approaching, I would like to introduce you to two of my most popular workshops. But before I do that, just below is a brief introduction to some of what you will learn in all of my encaustic workshops.

Included in all of my encaustic workshops

  • Color, composition, application, content-the basics, the intermediate, the advanced.
  • Using color relationships, proportion, scale as an effective foundation for other painterly information.
  • Individual consultation/critique discussion with each participant. Bring a piece of work, a question, a concern, a problem and discuss it with me. My most favorite part of the workshop is this special time I spend talking one-on-one with each participant.
  • Learn how to use encaustic’s strengths (layering, transparency, luminosity) to tell your story.
  • Mark-making exercises-whether you are taking the line workshop or not, exercises geared toward making simple or complex marks to generate a personal voice.
  • Book-sharing-each pariticipant brings their favorite art book to share.
  • Group sharing and discussion-always an amazingly helpful time for participants to share their victories and struggles.
  • A slide talk with examples of contemporary artists whose applies the concepts discussed in the workshop is offered for inspiration. Some examples of the slides included in the talks for each of the workshops discussed in this article is just below.
Pattern & Repetition Slides Examples
Grid & Line Slides Examples

ENCAUSTIC PATTERN & REPETITION

Mixed Media Encaustic: Pattern & Repetition
October 4-6
Studio Joy, Kansas City, MO
WORKSHOP WEB SITE

Basic Description
Repeated use of a shape, color or design element unifies composition, creates pattern, rhythm and movement as well as reinforces content. This workshop focuses on the creation of intricate patterns, expressive personal surfaces and complex, multi-layered pieces utilizing and in combination with encaustic painting techniques. With an emphasis on mixed media, methods and materials covered in this workshop include the use of organic and geometric form, realistic and abstract imagery, patterned collage, stencils, candy molds, tjaps, and branding (creating marks with heated metal and wood burning tools). Considerations such as using pattern and repetition as content itself, to tell a story, support and/or strengthen the message will also be discussed.

Who should take this workshop?

  • You swoon over textiles, prints, decorative arts, design, anything with pattern and you want to learn how to effectively incorporate these elements into your work.
  • You already include lots of pattern and repetition in your work, but the work hasn’t moved past mere decoration to involve meaningful content.
  • You desperately want to include pattern in your work, but you are fearful that it will be received by the viewing public as decorative art.
  • You love image and collage, but when you embed these elements into encaustic, the collage is blurred, burned or looks clunky.
  • You love painting with the intensely pigmented color of encaustic and want to learn how to effectively apply it-how to mix color, how and when to dilute, what brushes and tools to use.
  • You are frustrated with your current body of work, your process(es) and want to create consistency, and a cohesive portfolio.
  • You want to express yourself in a more meaningful way with your work.
  • Your creative process is stagnating and you want to learn a new process, idea or technique.
  • You have always wanted to create ‘visual poetry’ in your paintings.

What happens in this workshop? What will I learn?

  • What a motif is and how you can generate one to create personal patterns with meaning and how to incorporate them into your work.
  • Create personally designed fabrics and papers using indigo, rust and compost printing and use them as a basis for a painting.
  • Create repetitive patterns using innovative tools and techniques such as pyrography (making marks with heated metal and tools), tjaps and candy molds.
  • Learn my technique for applying decorative stenciling into my work and how you can use stenciling to strengthen your compositions and content.
  • Learn how to apply encaustic paint in layers and in various levels of transparency, as well as how and when to scrape back to reveal exciting forms and patterns within the layers.
  • Practice the effective application and fusing of encaustic collaged layers so you aren’t tempted to give up collage forever in frustration!
  • Experiment with doodling, mark making and process to create personal patterns.
  • Learn how to use the transparency of the wax to allow pattern and information to combine and ‘talk’ within the painting.
  • Learn how repetitive pattern, symbols, text, ornament adds power and interest to the work and therefore brings the viewer closer to it’s message.
  • How repetition can create visual poetry, rhythm, music, etc within the work.

What kind of work will I make?
Please enjoy the work example pics below from participants who have previously taken this workshop. Please also visit additional blog posts here and here and here for more information related to this workshop.

WHERE CAN I SIGN UP!

Mixed Media Encaustic: Pattern & Repetition
October 4-6
Studio Joy, Kansas City, MO
WORKSHOP WEB SITE

ENCAUSTIC LINE & GRID

Basic Description
Lines lead the eye and communicate information through variation in width, direction, density, length and character. They are as integral to any composition as the composition itself. Despite the incredible versatility of the encaustic medium, there is a limit to the techniques available in which to incorporate line. This workshop explores line and linear language far beyond the usual methods and materials to include the use of tjanting tools, masks, drawing with horse and human hair, branding with heated metal and wood burning tools, as well as creating your own grids, laces and lace like forms using free motion sewing machine embroidery on water soluble stabilizer. The workshop begins with a comprehensive exercise involving composition generation, which will result in several compositions from which to explore these new techniques. Considerations of the use of the grid as a conceptual as well as compositional tool will also be discussed.

Who should take this workshop?

  • You are a semi-beginner to advanced painter (encaustic or other) who often finds their paintings rife with color, paint, collaged, etc. information, but can’t put a finger on what is lacking or how to finish it.
  • You have great ideas but your compositions are scattered, nothing connects or works together to tell your story.
  • You are interested in what the grid can do for your work, but don’t want to make gridded paintings. NOTE: You won’t make a gridded painting in this workshop unless you want to do so, but understanding the concept of the grid as a foundational structure will make your paintings stronger. Guaranteed.
  • You want to express yourself in a more meaningful way with your work.
  • You want to create consistency, a personal voice, your own mark, in your paintings and body of work as a whole.
  • Your creative process is stagnating and you need to learn a new process, idea or technique.
  • You love materials and innovative ways to use them.
  • You dislike drawing and/or you’re afraid of it.

What happens in this workshop? What will I learn?

  • In depth discussion, brainstorming and slide talk about line and the grid-what it means in art, what it does, how to generate it, how to use it.
  • What the concepts of good design are and how to apply these ideas to fine art.
  • Marking, drawing, making marks with fun exercises involving music, text, folding/cutting paper, collage, fire, found materials are sure to relax you so that you don’t even know you’re drawing and are designed for you to generate ideas, content and a personal mark.
  • Effective and productive doodling.
  • Experiment with line ideas using innovative techniques and materials such as horsehair, pyrography (making marks with heated metal and tools), stitching by hand or machine, Solvy (water soluble embroidery stabilizer).
  • Experiment with encaustic tools such as a tjanting, incising into the wax, creating grids and lines using masks, paintsticks and encaustic friendly drawing media.
  • How you can create your own process to make a cohesive body of work and how that process can relate to and enhance content in that work.
  • Learn what found drawings are and how you can use them as a tool for inspiration and content generation.

What kind of work will I make?
Please enjoy the work example pics below from participants who have previously taken this workshop. Please visit additional blog posts here and here and here and here for more information related to this workshop.

WHERE CAN I SIGN UP!

Mixed Media Encaustic: Pattern & Repetition
October 4-6
Studio Joy, Kansas City, MO
WORKSHOP WEB SITE

If you have taken one of these workshops and it has made an impression on your work, I invite you to write briefly about your experience in the comment section and include a pic if you would like. I look forward to hearing from you.

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4 comments

  1. One year ago I took Lorraine’s workshop n Gloucester, MA, and to say it was a transformative week would not be an understatement. Not only did I learn techniques to help me achieve the finished work I desired, but Lori’s daily motivational art quotations, discussions on contemporary artists, and constructive feedback (and encouragement!) were all absolutely fundamental in moving my artwork from a beginner realm of crafty exploration into a professional level with entrance into gallery and juried shows. What you will learn in Lori’s workshops surpasses simple “how-to” and instead offers an intimate rare peek into the mind and practice of an artist. If you are ready to take your work to the next level, do not hesitate to sign up for one of these workshops. My one piece of advice is to take *lots* of notes (and then write each evening about your daily experience), because the exercises, insights, tips, and tricks that Lori generously shares during the workshop are well-worth revisiting over the following months as you continue to bring your artist practice and work to a new level. My notebook from that workshop week continues to bring me inspiration and new direction just when I need it most. Thank you, Lori, for having shared so freely your techniques, your critical eye, and your open heart that inspires artistic and personal growth at every step!

    Liked by 1 person

  2. Such a specific and informative description outlining your workshops. Who wouldn’t want to take one of these! Impossible to resist!

    Like

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